Beginning with an interrogation of what he will later term "the ontological impediment" (this very pre-occupation with systematizing or explaining God's being or God-as-Being), Marion contests that this very focus on ex-planation (with its aggressively outbound prefix) prevents one from being capable of acting as receiver (with all its quietly centripetal connotations) and thus betrays one of the most basic theological aims: speaking of "the gift that Christ makes of his body," Marion reminds us that "a gift, and this one above all, does not require first that one explain it, but indeed that one receive it" (162).

The book's back cover refers to this move as one that resituates God in the realm of agape, or Christian charity, rather than in the realm of Being. Marion does indeed speak of agape, but I think that the tidy and perhaps overly theoretical ring of the word would give way, if he had his preference, to the plain, everyday notion of "giving" to which he turns at the most powerful moments of "God Without Being." Because for Marion the gift of Christ is already a very physical fact ("in a word," he says, "the Resurrection remains historically verifiable" [193]), the messy physicality of giving seems to me truer to his reinscription of God than does the theological purity of agape.

The deeply Catholic background of Marion's work, while not in the least a detractor, may make the book slightly less accessible for those not familiar with many tenets of or ongoing debates within the Catholic theological tradition; this was certainly a difficulty for me, but not an insoluble one. And the framing of the essay as a working out of one's own faith, from the "Envoi" to "The Last Rigor," allows the impact of Marion's address to operate perfectly coherently on a logical level, but even more so on an individually emotional level.

Readers interested in theology and postmodern recontextuatlizations of it--and even, perhaps, in the reconciliation of these two terms--will find in Marion's "God Without Being" a very satisfying if not moving experience.

This is absolutely the finest version of the Kama Sutra available. With 224 pages and a huge page size--14-1/2" by 10-1/2", over an inch thick, printed on high quality glossy paper, and absolutely full of full color photos of erotic Indian art, including statuary and several twice-size foldouts, it would be a bargain at twice the offered price here on Amazon.

For years the Kama Sutra has been the object of admiration because of its explicit sexual content, as well as its Tantric religious application for those interested in the practices of Eastern religions. Of course many in the West have sought it out as a source of ancient pornography, but the artwork represented in this book is not as anatomically correct as that which can be found in Playboy or Hustler, and therefore is less useful for voyeuristic titillation. However, for the student of Eastern religions, especially the Tantric tradition, it will be found to be unsurpassed.

The Hindi text, both in their calligraphy and the alphabet, and fully translated into English, is beautifully done. The absolutely gorgeous large sized full-color reproductions of ancient Indian art is exquisite.

Highly recommended!

Joseph Pierre

author of The Road to Damascus: Our Journey Through Eternity
and other books

As a traveler and lover of all things "India", I have been waiting for a book like this for a long time to give as a gift to my husband. This is the real heart of the matter...no need to actually read the Kama Sutra when what you really want is all right here. Even without the erotic theme, this book presents some of the most wonderful art of India I have ever seen in one breathtaking book. This book is an absolute "must" for any follower of Indian art, or just anyone who appreciates the delicious and delicate sex-play and sensualities of Indian art and history. Very inspiring :), very beautiful, exotic, erotic and just plain fabulous! What more could you want? I am thrilled with this purchase..... on all levels! A+++++